The same angle of view always gives the same field size at the same camera-subject distance no matter what format you're using, but the same focal length does not. Note that the shorter a lens's focal length, the wider its angle of view (the 'angle' in wide-angle lens, for instance, which is "how much you see"), so the same idea can also be expressed as that the lens's angle of view plus camera-subject distance is the camera's field of view.Ĭaution: In this context, the focal length value differs with each film gauge and CCD size for optical reasons, but the angle of view is the same for any of them, so it's easier comparing the angle of view with lenses for different formats than their focal lengths. The field size explains how much of the subject and its surrounding area is visible within the camera's field of view, and is determined by two factors: the distance of the subject from the camera ("camera-subject distance") and the focal length of the lens. Shots can be categorized in a number of ways. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. ![]() The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. In film editing, a shot is the continuous footage or sequence between two edits or cuts.In production, a shot is the moment that the camera starts rolling until the moment it stops.The term "shot" can refer to two different parts of the filmmaking process: ![]() Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. This article is about a technique used in filmmaking.
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